The conceptual process behind this series is rooted in the belief that creation in nature is both evolutionary and self-organizing. I’m inspired by the way natural systems form through cycles of accumulation, erosion, adaptation, and emergence, processes that are not linear, but recursive and responsive. To echo this organic logic in my practice, I engage in a continual interplay between two core gestures: construction and destruction. Through the reiteration of these opposing actions, the work begins to self-assemble, structures form, collapse, and reform, much like patterns in nature shaped by time and force. This cyclical process is not only material, but philosophical: it challenges fixed notions of authorship and control, allowing the work to evolve intuitively, as if guided by its own internal logic. In this way, each piece becomes a living surface, a site of tension and transformation where order emerges from fragmentation, and meaning is discovered through process rather than imposed from the outset.